Recording guitar and vocals at the same time

RECORDING GUITAR AND VOCALS AT THE SAME TIME HOW TO

For a more direct sound, move the mic closer to the performer. The side of the capsule facing the floor will capture the sound of the guitar, while the side of the capsule facing the ceiling will capture the vocals. To do this, place the microphone roughly halfway between the center of the guitar and the performerвЂ™s head, with one side of the capsule facing the floor and the other facing the ceiling. Bi-Directional MicДЄnother similar approach is to use both sides of a bi-directional microphone to capture the vocals and guitar separately. However, it can be difficult to adjust the balance of each instrument when mixing, which means this approach is best for artists who are very precise and controlled. This setup is very comfortable for the artist, which helps them deliver their best performance. This approach offers a good blend of direct and ambient sound-and with only one microphone, thereвЂ™s no risk of phase problems when recording.

To adjust the balance between the instruments, raise the mic stand or tilt the mic upward for more vocals, and lower the mic stand or tilt the mic downward for more guitar.

Move the mic closer for more direct sound, or farther away for more ambient sound. Use a cardioid pickup pattern for a more direct sound with less room tone, or an omnidirectional pickup pattern for more room tone. Grab your favorite large-diaphragm condenser and place it a few feet from the performer. ThatвЂ™s why we put together this guide to help you decide which technique to use when recording vocals and acoustic guitar at the same time. With so many different techniques available, itвЂ™s tough to know which approach will sound best for your song.

RECORDING GUITAR AND VOCALS AT THE SAME TIME HOW TO

It would be great to be able to compress the ukelele a little, but if you do both parts live, you'll also be compressing the vocal as well (at least that part that bleeds into the uke mike that may not be a bad thing, but you'll have to experiment).Whether youвЂ™re recording a quick demo of an original song or an intimate ballad with a singer-songwriter in the studio, knowing how to recordВ vocals and acoustic guitar at the same time is a crucial skill for any engineer. Make sure that the player checks the tuning right before each take (a lot of ukes' tuning pegs have a tendency to slip). I've had success recording ukelele with both dynamics and small diaphragm condensers, but the trick is to get the microphone(s) as close as possible without impeding the players ability the ukelele generally has a pretty low acoustic output (compared to a guitar or just about any other instrument). I wouldn't put the mike directly in the soundhole or anything, but the uke is so small that it's hard to get real specific, other than pointing the mike at it and getting it as close as possible.

On a guitar, you want to point towards the 12th fret, and steer away from the soundhole. You can use LDC or sdc microphones the standard would be an LDC or appropriate dynamic mike on the vocals, and an sdc/'pencil condenser' on the guitar (in your case, uke). But there's almost no way to avoid bleeding, so embrace it. You should still definitely record on two separate tracks, as you may want to do some stereo post-production and you will certainly want to do some EQing, and you want to be able to work with each part (uke and voice) as separately as possible. Just remember if you do it 'live' (which is probably a good idea if the person doesn't have a lot of studio experience), that even with choosing the perfect mikes and positioning them just right in regards to null-points and such, that you will still have bleed (the sound of vocals on the uke track, and the sound of uke on the vocal track).

Recording guitar and vocals at the same time